SHED Essay

SHED Essay

SHED – WEEK 4

When given the task to design a shed that reconnects people with nature, I challenged myself to find out what happened in the past decades. I tried to understand why people keep isolating their self from something that has been so important for humanity for thousands of years. I identified many different reasons, such as the development of technology and urban environments. I learned a lot but what astonished me the most is that a lot of people experience nature and being outdoors in general as „boring“ and I decided to challenge this issue with my project. I wanted to find a solution which is tackling the problem in an optimistic way, as I believe that motivating people to spent some time outdoors and sending them on an adventure has a bigger impact on the situation than a pessimistic artwork.

The side we were given for this project, Tentsmuir forest, is a massive area which includes many different landscapes and an incredible amount of different plants and animals. The stunning scenery of this place and all the hidden details inspired me to focus on the beauty and the variety of nature. I wanted to encourage people to observe carefully, get inspired by the area and experience Tentsmuir as an adventure. The Italian universal genius Leonardo da Vinci once said that observing and understanding nature is essential to develop ourselves and our ideas and his observations of nature led to outstanding artworks and evolutionary inventions. He made numerous botanic studies and used his scientific observations for artworks such as „Sala delle Asse“ and „Vergine delle Rocce“. He deeply respected nature and its forms and studied them when working on his flying machines or church designs. Focusing on observing means for me highlighting the beauty of a place and its details and framing the view. Following this approach I created a walking journey which goes through Tentsmuir Forest and encourages to observe better. When doing that I realized that my project became much more than just a shed, I created a whole story and adventure around it.

The shed, which is also part of the walking journey, became an open structure, as I wanted to connect the surroundings with the Interior and I wanted the nature to be a part of it. Architect Arata Isozaki once planned pavilions which were completely open spaces and when he was asked why he didn’t close the space he explained that its surroundings complete the pavilion: “The ceiling is the sky, the surrounding mountain range and rocks are the walls and partitions…the floor is the desert.”, there was no need for him to isolate the space. I found this idea very inspiring and decided to follow a similar approach. I also decided to keep my design very simple as I wanted the beautiful scenery to be the centre of attention.

This project showed me how powerful Design can be. I learned that I can use architecture and my subject of study to tackle problems and to improve a given situation. I also realized that there is a story behind every building, I developed a narrative that reflected on a topic which is highly discussed nowadays. I found my own way to tackle the nature disconnect and I not only improved skills like model building or rendering, I learned how to interpret an issue in different ways and experimented with possible solutions. While designing I faced several problems, I had for example difficulties whit the shape and I also struggled with the choice of materials. In the end, however, I found a story and a design for my shelter. For future projects, I want to look more into proportions and materials.

This project showed me that what we do in our course is not only about designing an Interior, it’s about designing a whole environment. We have to understand how people move around within a space or environment, how they use it and how they interact with it and each other. It is not just about placing furniture somewhere, it is much more than that. I also learned that Interior Designer is a combination of many different disciplines, for example I need to use graphic design to communicate my ideas or product design when it is about the usage.

Throughout this module, I realized how much I enjoy being an Interior and Environmental Design student. I can express myself through it and I feel challenged every day. I enjoy the social aspects of this discipline, as it is so much about people and their needs, something I want to explore better in future. When I saw my finished project at the exhibition I was sure that this is what I want to do in the next years of my life.

SHED- week 4

SHED- week 4

SHED – WEEK 4

This weeks challenge was it to visualize my ideas in a way in which I could present and communicate them with others. I build a model, made renderings, drawings and presentation boards which I then showed at the final exhibition.

The model

I decided to build a conceptual model in 1:50 that represents my ideas and the atmosphere that I want to create rather than building a realistic model. The material pallet is simple: I used wire for the frame, a metal grid for the walkway and white fibre paper for the facade. A small person gives a reference to the scale. In order to recreate the dunes, I used a steel plate which I formed and treated with a corrosions paint.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The renders

During the development process I used Sketchup to create 3d models, for the final render I used Keyshot to visualize the materials that I wanted to use. I used one of the renders to create my hero image: I added a photograph of the side to the background and  two persons give reference to the scale.

At the end of the project I was challenged to display the content I produced  on a table and I had to communicate my ideas by using presentation boards. At this point I used the skills I gained during last semesters graphic design module. At the exhibition I showed my portfolio, my sketch models, my final model and I also left a book, which I found very inspirational, on the table.

Communicating my ideas was a big challenge as I produced a lot of content within the module and I had to find a visual language that supports my project. Overall I found that the presentation boards I made were visually engaging but I should have used a simpler color palette to make the design a bit cleaner.

Download  Presentation Board

Download Development Presentation Board

Download Journey Map Presentation Board

At the end of the project I had a sketchbook full of drawings that showed the process I went through and the inspiration that leaded to the final result (click here to download the sketchbook). 

When I saw my finished project I felt proud about the progress I made and the design I created. I made mistakes and learned a lot but in my opinion I managed to create something that responds to the brief and respects the characteristics of the side, which was very important for me.

SHED week 3

SHED week 3

SHED – WEEK 3

At the beginning of the week I was thinking a lot about how people could potentially use the space inside the structure and I decided to replace the ladder from my concept “Gateway to Sea” with stairs. I did that to make the design more intrigued and I liked the idea of a walkway that goes down to the water. Also, the stairs would be a good place to sit down and to enjoy the beautiful view.

When discussing my new idea with some other students, I explained how people would walk up the dune, pass the shelter and go down to the sea. Someone pointed out that my description sounds like a journey and at this point I actually thought I could create a journey which is connected to my design. This discussion really inspired me and showed me how important it is to share your ideas with others. 

I started looking at the landscapes I observed in Tentsmuir and I developed a walking journey that starts in Tayport and finishes at the Tentsmuir point. I analyzed places such as the rocky beaches or the dundes and tried to figure out how I could encourage people to observe these particular places better. By carefully incorporating architectural structures such as bridges or stairs into the environment, I wanted to create platforms or walkways that invite people to get closer to these places and observe them better. I created a map and decided that my shelter would be the end of the journey.

As I finally found a shape for my design, I started thinking about different materials I could potentially use. I decided that Scots pine wood would be the best choice for the frame and I wanted to use white metal panels for the facade. I experimented with different ways in which I could align the panels and I also messed around with different textures. For the stairs and the walkway I decided to use metal gutters that would allow the plants underneath to continue growing without getting interrupted.

Once I figured out what my final shelter should look like, I started visualizing it with axonometric and orthographic projections, which I then edited with photoshop to communicate my ideas better. This week I made a lot of progress with my design: I found a shape, I chose materials and by creating the walking journey I developed a narrative for my design. 

SHED – week 2

SHED – week 2

SHED – WEEK 2

This week I explored different ways to change the form of the shed by using Sketchup to visualize my ideas and simultaneously building cardboard models. I tried to remove the roof, to create new openings, to change the arrangement of the walls and I also experimenting with the floor plan. While doing that I found it very helpful to use a person as a scale in order to understand the volume of my shed designs better.

I think because of Sketchup my ideas became more and more abstract and I moved away from the standard shed form that I originally wanted to use for my design. I removed parts of the walls and of the roof to open the space up and to connect it better with its surroundings. That way I wanted to respond to the Inside- Out brief and let the surrounding be part of my design.

While trying to find a form I messed around with different shadows from plants and objects that I photographed in Tentsmuir forest. I originally thought these experiments would give me ideas that could influence the shape of the shed, however it turned out that I found inspiration for materials and textures instead. 

Photograph

Black and white version

Shadow

I developed the concept Bridge to the sea during this week, this idea was definitely inspired by the various sketch up models I made before. My idea was it, that the two parallel walls would frame the view and the roof would look like a bird flying around on the beach. The stairs and the walkway would bring people down to the beach.

At the end of the week I decided to return to Tentsmuir in order to find a place where I could potentially place my design and to get some more inspiration. I found a dune close to the Tentsmuir point and the observations I made changed my design again. I adapted it to the shape of the Dune and I decided that I want to create a temporary structure which influences the surrounding environment as less as possible and can be removed without leaving any trace behind. 

 

 

 

 

 

 

 

 

After my visit in Tentsmuir I developed Gateway to the Sea, the idea was similar to my previous concept but I changed the shape of the shelter and switched the stairs with a ladder.

This week I simplified my design and I also moved away from the standard shed form. With Gateway to the Sea I finally found an idea that I wanted to develop further. 

SHED – week 1

SHED – week 1

SHED – WEEK 1

I started the new project with a lot of sketch models, always using the shape of a traditional shed as the starting point for my designs.  That way I wanted to explore the idea of inside-out and get familiar with the idea of creating a shed.  I didn’t want to destroy the shape of the  “normal” shed completely and I started experimenting with different openings, which could be windows or other architectural details. While doing that I was thinking a lot about the shadows that the structure could potentially create. 

In relation to the idea of creating openings I looked at the Transparent Church ( designed by Gijs Van Vaerenbergh ) in Belgium. I found the idea of making such an open space very inspiring, as it creates a strong connection between a building and its surrounding.

Later this week I deconstructed some of the Sketch models I made and I tried to put them together in a different way. This idea of deconstruction expresses in my opinion the problems we have with climate change nowadays.

At this point I was looking at sculptures from different artists that explore the idea of falling apart. I particularly liked CUBI XII by David Smith as I found the way in which Smith combines different geometric shapes very interesting.

While experimenting I started looking at many different shelters, tiny houses and sculptures in order to understand how other architects and artists create buildings which have a strong connection to their surroundings. This research showed me that i have an endless amount of  possibilities when it is about choosing a shape and materials  for my design. I also realized that I have to experiment more.

Sketch Idea week 1:

I also analyzed photographs from Tentsmuir this week , as I think that the side is crucial for my design in many ways and I wanted to use Tentsmuir as my main source of inspiration. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Page layout design

Page layout design

Page layout design for the Short Attention Reader

For this project, we had to design a double page magazine spread, which we then had to adapt to a tablet screen. We were challenged to analyze different layouts and had to find a way in which we could make images and text working well together. During this project, we learned how to use grids, hierarchies, type, and symbols to create a visually engaging layout.

At the beginning of the project I tried to understand the content of my article, the central message and the feelings and thoughts created in the readers head. As the main topic was climate change and design, I wanted to develop a thought-provoking visual language that symbolizes the topic in a serious way but also shows optimism, which is, in my opinion, one of the articles central messages.

In my primary research, I looked at visual languages associated with climate change and similar topics, I collected ideas from books and magazines and analyzed the colors, images, and layouts they used. I noticed a massive variety of designs and colors, which showed me that there are many different ways to visualize the topic. Also, I learned that symbols or symbolic images can be a very powerful tool to communicate such a topic in a sensitive way.

I decided to build my layout around an illustration and looked into different ways in which I could combine symbols and colors. While doing that I used the Noun Project as an important resource and inspiration for my design, as I was fascinated by the way in which they simplify the complexity of the topic with a few lines.

I experimented with an icon of a light bulb, an object which was ever since important in the design history but criticized a lot in the past decades as an energy-wasting object. I combined this iconic, but also controversy object with an icon of the earth to create an ambiguous image, which should intimidate the topic but leaf space for the observers own interpretation. While designing I played around with abstract lines, triangles, and icons.

I analyzed a magazine spread I found during my research in detail to learn more about the options I have when designing a layout. The double spread is from the NNU magazine and was designed by Mark Brooks. Further on in the process, I looked a lot at his magazine layouts, as they are very simple and interesting at the same time.

 

 

 

 

 

 

 

 

 

 

 

 

Composition

 Focus: Title (The missing Curriculum)                                     Lead the Eye: Yellow line

Alignment

Heading, subheading, and author: central                            body text: justified text, first line indent

Structure

2 columns and regular margins (same size on the left  and on the right, same size on the top and the on  bottom), regular layout

Type:  combination of serif and sans-serif

Hierarchies

left page: heading, subheading, Author, magazine   name 

right page: heading, subheading, body text, page number, main heading

Building a layout was probably the biggest challenge for me, as I didn’t really know how to combine all of the text and I experimented with different grids, alignment, and font sizes, always using the illustrations I made at the beginning as a starting point. While doing that, I looked again at magazines, but this time I didn’t focus that much on the overall look but more on the different elements a magazine layout includes, such as title, author and page number. That way I tried to figure out what options I have when placing content 

Development process

 

 

 

 

 

 

 

Layout ideas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The first layouts I made were really simple and I thought that there might be not enough content on them and I  was convinced that I would have to fill up more of the white space and in the end, I had several layouts that didn’t really work well with the article. After listening to some opinions from other people, I tried it again, but this time I focused on keeping everything simple.

While finding a new and simpler layout I messed around with different fonds which I downloaded from google fonts. This article, which compares the best- designed google fonts, helped me a lot when looking through the massive amounts of possibilities. I decided to use the serif font Cardo for the main body text and the image caption, as it is an easy to read and plain font. I used Poppins (sans serif) for the other text on the page. The variations italics and bold and different text sizes allowed me to create a hierarchy. When choosing the fonds, I learned that the combination of type can have a massive impact on the appearance of a design.

Type experiments

Double spread magazine layout

After creating the magazine layout, I tried to adapt my ideas to an iPad version. My first layouts were based on a two columns structure, displayed a lot of text and used the lamp/world icon as a symbol. I found that the results had too much content on them and the designs were not an adaption of the magazine version. I decided to reuse the idea of the page splitting line from the magazine layout and combined that with a four column grid, which led to my final layout. My final design displays title and author on the top half of the page and text, category and date on the bottom half.

Idea 1

Idea 2

Idea 3

Final Layout

At the end of this project, I realized how much I learned during the whole process. I learned how to use grids to create a more structured layout, I understood the importance of margins and columns in the alignment of a magazine and I also had the possibility to experiment with different fonts. Also, I learned that the amount of content on a page doesn’t necessarily say something about the quality of a design. It is better to start simple and build up from that point instead of filling everything up with images and text at the very beginning. During the process, I listened to many different opinions, that influenced my final design a lot and saved me from making a lot of mistakes.