Picture Symbol Icon – Sign

For this brief we were tasked to get into groups of three to research and develop a signage intervention to be put up around DJCAD. We were then to discreetly monitor people reactions to the signs and see if our design would influence the way they behaved. The catch with the brief was that these signs had to be left up for only a couple of hours and then removed without leaving any trace.

In addition to DJCA my team and I went out into Dundee as part of our research. This was to see if we could make any observations about how people react to certain signage, and also to source any inspiration. Doing this really helped ground our thinking about the project and enabled us to get a general idea of how people behave around certain symbols and colours. The association between symbol and colour can completely alter the impact and meaning of a sign. This observation allowed us to make more effective decisions when It came to deciding on the nature of our signage intervention. Whilst we were out, we made several observations:

“People tend to pay attention to paper/ handwritten signs more than electronic.”

 

This is probably due to the unexpected and handwritten nature of these signs. We often assume signage will be well designed and printed, so the sight of a handwritten note can often grab the attention of passers-by. An example of this could be an ‘out of order sign’ on the likes of a lift/ vending machine.

“We found that most people would tend to ignore signage if traveling in a group.”

 

Those traveling with others are often enthralled in conversation and rarely pay attention to signage unless it’s something extremely eye-catching or unusual.

“Simple, and larger posters attracted more attention than others.”

“Simplified signage/ posters tended to draw more attention as they were easier to understand at a glance.”

 After we had made our observations, we decided to focus our idea on the lifts around the college. This was due to the high volume of foot traffic the lifts receive, as well as a range of different idea possibilities stemming from the lift. We went through various ideas of what we could do to the lift to try and get a reaction from the public. One idea included marking off half the lift with warning tape and using a sign to say it was faulty. In hindsight, this may have led more to a sense of panic than anything else.

The idea we eventually settled on was to split the lifts into one for those who wished to chat and those who wanted to travel in silence. The idea was to have signage outside each of the lifts on every floor so that people could choose their preferred lift option. In concept, we believed this would be a great way of enabling those who wanted to chat interact with others and those who didn’t wish to converse didn’t have to.

For the design of our signs, we decided to go with a friendlier, unofficial look. We felt this reflected the fun nature of the experiment more than something more official-looking. We used a modern sans serif font ‘Futura’ for the instruction part of the sign in combination with a graphic or effect applied to the keyword of each sign. This was done to draw attention to the key aspect of each sign. The sign was designed to go unnoticed by those not using the lift but unignorable to those who were, we felt the design reflected this and also helped this by placing it by the elevator buttons.

Secondary Research

I wanted to looking into the signage guidelines a university might use to create a level of consistency throughout their campus. It’s clear to see Dundee Uni and DJCAD all follow a formula in terms of colour and style. This helps newcomers to the Uni with recognizing the signage so that they can find the information relevant to them. We tried using some of this research in our sign design, we wanted something similar to the university style, but different enough to stand out and attract attention.

Once we had our design settled we moved onto putting the concept into practice. It wasn’t until we began sticking the signs to the wall that we all realised an unbelievably obvious fault in our masterplan. People using the lift can’t choose which one they call. Even as I’m writing this, I can’t believe that none of our group realised this until the last minute, and I would vouch that we are all reasonably intelligent!

 

Once we finished banging our heads off the wall in frustration, we finished putting up the remainder of the signs and began our observations. We discovered as observers that we weren’t very discreet due to lack of hiding spaces in the lifts. This was yet another complication that completely passed us by.

Observations

In total we spent around an hour and a half to two hours observing our signs, each taking turns to travel up and down in the lifts. Over this period, we noticed that more often than not people were silent in the ‘silent lift’, which was our intention. However, in the ‘talking lift,’ the result was pretty much the same unless they were prompted by someone else in the lift to chat. There were some more unusual cases of people avoiding the ‘talking lift’ if they saw others already speaking in it and instead waiting for the ‘silent’ one. Also, some of the less patient people just took the stairs for the same reason. We did notice that people who were riding in groups were more likely to talk in the talking lift and remain quiet in the silent lift.

Conclusion

In conclusion, I wasn’t a great fan of this task although I did enjoy the concept behind it. I was very interested by the theory of symbol and colour association which played such a big part in the design and development of signage. I just wish we as a team had thought through all the pros and cons of our idea before becoming so set on it. If we had, we probably wouldn’t have to face the mind numbingly obvious catches to what was our ‘fool proof idea’.

Picture Symbol Icon – Article

For this brief we were asked to design a magazine spread for one of a selection of articles provided to us. We had to design the layout for the first two pages of the article. I decided I wanted to go with the fashion article; ‘The Perfect Fit’. I initially assumed that the fashion article wouldn’t be to my taste, but I was surprised to find that the main part of it was about a Japanese brand ‘KAPITAL’ that I had been a fan of.  I decided to use the text from this part as the basis for my article. Once I knew I was going to use the Fashion article I decided to start my research there.

What I noticed from looking at other articles was that a lot of fashion magazines make use of very ornate Serif fonts, these often being used for titles or logos. They often combine that with a sans serif font to help break up the article and assist with the flow of the text. Varying weights are also implemented to help achieve this. There is also a big reliance on imagery in the majority of the articles, with most two-page spreads being around 50% image.

As well as this I began looking at more Swiss and modernist layouts. I have been a fan of these movements for a while and I wanted to try and take some inspiration from these into the layout as I have never really attempted that style of design before.

I found this Swiss-style layout and decided to use this style for my main source of inspiration. Looking at the layout you can see a very loose three column design in the almost diagonal layout of the text, image and the what I assume is the page number.

The designer has made effective use of justification, this helps with the readability of the text. In the layout, the designer has confidently used white space to put emphasis on the image and typeface. The designer has also used colour to draw attention to the text by having the image and the number appear in black and white. This style is repeated on both pages and creates harmony between the two layouts.

In my design I knew I wanted to try and capture the essence of the fashion layouts I had researched whilst also taking inspiration from the Swiss and modernist layouts that I’m such a big fan of.

When creating my layout, I decided to follow a loose three column design much like my chosen layout. I used a combination of modern serif and sans serif fonts, I decided to use this combination as a result of my research, I found that this is a very prevalent aspect of those types of layouts.

I decided to have a play around with the title and liked the idea of the article name ‘The Perfect Fit’ not actually being a perfect fit. I created an ironic visual play on the phrase ‘The Perfect Fit’ by using a hyphenated typographic approach. Structuring the title this way led to a lot of freedom to where I could place my title in the layout, as I didn’t have to contend with the length of the word ‘perfect’ in contrast to the other two. I sourced some images from the KAPITAL website of models wearing the latest clothing.

I liked the subtlety of the pale blue denim and decided to use it as the primary colour of my layout. I used a block of this colour to help break up the spread and create a harmony between the two pages. This also helped break up the white spaces, making the narrative of the layout easier to follow. I also made use of a very strong grid system combining white space, hierarchy of fonts and imagery to create a strong, dynamic visual tension on the page. I felt that this style of layout was very in keeping with the modern fashion magazine trends which I had observed in my research.

Conclusion

I enjoyed this brief far more than I at first thought. I didn’t expect to become as absorbed in the layout of my article as I did. I found something very therapeutic about juggling the balance between the type and the images on the page, and found the whole experience very rewarding when it finally came together. It was also a great chance for me to further refine my InDesign skills and I found that I was still able to learn newer and more efficient ways of handling and arranging the elements on the page.

Picture Symbol Icon – 12″

As part of this brief, we were asked to produce a 12” record sleeve for one of a series of singles provided to us. The objective being to come up with a replacement design which captures the essence of the single. From the singles available I chose to go with ‘Music for Airports 1/2’ by Brian Eno. I was surprised by how much I enjoyed the track as I wasn’t a huge listener of this genre. I became even more intrigued by it when I began researching the artist Brian Eno and found out more about his oblique strategy cards.

I was prompted to incorporate these cards into the development of the sleeve to see if it would affect the final output of my design. Once I began looking into other examples of ambient music covers, I quickly began to see a recurring theme of landscape photography. The covers all portrayed a very tranquil and luxurious feeling, which I felt reflected the genre really well. 

When listening to the track it conveyed to me feelings of loneliness and isolation, but I also found it very calming. I felt that this effectively reflected the atmosphere of an airport, as they are such big and busy places, it’s very hard not to feel insignificant and isolated when surrounded by so many people. The quote “As ignorable as it is Interesting” was used to describe Eno’s music the irony of this statements is something I wanted to incorporate into my record cover.

In conclusion I very happy with the way this cover turned out. I really enjoyed reading about Brian Eno and having the chance to use his Oblique strategy cards in my design process. I feel the cover captures the themes I had originally set out to fill, and that I made effective use of the oblique strategies in relation to the brief. I feel that I have captured Eno’s minimalistic essence in the record cover and that the design reflects the feelings of calm and loneliness that the track portrays.