Peto excelled at capturing the world of ballet, particularly the relationship between Nureyev and Fonteyn the two most iconic dancers of the period as this image from 1963 shows. He not only photographed productions, but also rehearsals like this one for ‘Marguerite and Armand’. Photo-journalist Michael Peto worked with The Observer during the 1950s and…Continue Reading The Peto Collection – Rudolf Nureyev and Margot Fonteyn, 1963
The Peto Collection – Rudolf Nureyev and Margot Fonteyn, 1963
